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미대유학 > 미국미대 > 주요대학 Portfolio
요강
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FIT / The University of
the Arts / Savannah College of Art Design / School
of Visual Arts / Pratt Institute / Art Center College
of Design / California Institute of the Arts / California
College of Arts and Crafts / Otis College of Art
and Design / Rhode Island School of Design / Parsons
School of Design / College for Creative Studies
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http://www.fitnyc.suny.edu
• 악세서리 디자인
6~8 개 이상의 악세서리 스케치 첨부 가방, 신발, 벨트, 개인적 가죽 제품 ( 지갑, 안경집 등
) 등을 부분적, 전체적으로 묘사한다. 개인적 사고 능력과 창조력 등이 참고되며 입체감과 전체적인 균형감이
평가된다. 직접 제작한 제품도 첨부 가능하며 사진이나 슬라이드 형태로 첨부한다. l 광고 디자인
개인의 상상력, 디자인 센스, 드로잉 재질 등이 평가되며 광고 관련 작품이 아니어도 된다. 15개 정도를
첨부하며 아이디어 전개상황을 볼 수 있는 스케치북 첨부를 권장한다. 별도의 Home Test 를 포트폴리오에
첨부해야 한다.
• 디스플레이 & 전시디자인
개인적 관심을 표출하는 다양한 입체 작품을 중요시 한다. : 드로윙, 그래픽, 여러 재료를 이용한 페이팅,
기계적 드로윙, Ground Plan, Elevation, 투시도법의 드로윙, 꼴라쥬, 사진, 입체적
프로젝트 사진, 조각 등, 이 전공 분야는 각 개인의 독특한 아이디어 및 입체적 디자인 작품 능력 위주를
평가한다. 모든 3D 작품은 사진이나 슬라이드로 제출한다.
• 패션디자인
학교측에서 제시하는 Home Design Test 에 따라 준비하며 동봉되는 우편봉투에 보내야 한다.
스케치의 규격은 11 X 14 인치 이상이 되어서는 않된다. 포트폴리오는 창조력, 디자인 센스 및 제작
기술 능력 위주로 평가된다. Home Design Test는 주어진 과제의 4가지 패션 스케치를 하게
되며 추가로 6-10개의 패션 스케치 및 바느질 솜씨와 개인 창조능력을 뒷받침하는 의류 제작 작품은
사진으로 추가한다.
• 순수미술
최소한 10여개의 작품들 ; 드로잉, 수채화, 파스텔, 페인팅, 판화 및 사진으로 찍은 조소 및 3D
디자인 등을 첨부하며 실물을 직접 보고 그린 그림으로 한다. 모든 분야의 작품을 첨부할 필요는 없으며
페인팅은 슬라이드로 제출해도 된다. 아이디어 전개상황을 볼 수 있는 스케치북 첨부를 권장한다.
• 일러스트레이션
인물의 머리나 인체등을 그린 생물화, 풍경화, 정물화, 해부학 그림 등의 관찰력이 반영된 그림 등으로
구성, 디자인, 색상 등의 요소들이 평가된다. 15개로 제한되며 아이디어의 전개상황을 볼 수 있는 스케치북
포함을 환영한다. 11 X 14 인치 이하의 규격으로 준비하며 추가의 드로윙 테스트가 요구된다.
•인테리어 디자인
각 개인의 색상, 균형, 디자인 등의 특성이 잘 조화된 작품으로 구성하며 평면도, 입면도, 투시도 등은
첨부할 수 있으나 필 수는 아니다. 아이디어 전개 상황을 볼 수 있는 스케치북 포함을 권장하며 별도의
Home Test 를 첨부해야 한다.
•보석 디자인
각 개인의 칼라센스 및 디자인, 특히 조형적인 디자인 구성 및 세부적 디테일을 반영할 수 있는 작품으로
다양한 재료를 이용할 수 있다. 직접 제작한 보석이나 관심 있는 보석 등이 작품에 반영될 수 있으며
사진으로 첨부할 수 있다.
• 남성복 디자인 & 마케팅
남성복 디자인의 8-10 스케치를 첨부하며 이는 패션 일러스트레이션의 기술적 참고가 아닌 창조적 디자인
능력을 반영하는 것으로 준비한다. 추가로 남성복 시장으로의 진출 방향에 대한 시장조사 및 연구 실태를
설명할 수 있어야 한다
• 사진학
최소 15개의 상상력이 동원된 사진 작품으로 흑백이나 칼라사진 모두 허용된다. 본인 스스로 제작한 창조성
위주의 다른 작품 또한 첨부할 수 있으며 3D 작품은 사진으로 제출한다. 사진 인쇄는 현상소에 맡겨
인쇄할 수 있으며 개인적으로 직접 현상할 수도 있는데 구체적 명시를 하도록 한다. 패션이나 광고사진
위주일 필요는 없으나 정성을 들인 작품 프리젠테이션에 힘쓰도록 하며 별도의 Home Test는 없다.
• 텍스타일/표면 디자인
텍스타일/표면 디자인 작품위주로 준비할 필요는 없으며 드로윙이나 페인팅 실력, 디자인, 색상, 스타일,
창조성을 보여주는 방향으로 준비한다. 15개까지 제출할 수 잇으며, 자연을 배경으로 한 (인물화, 조가비,
꽃 등) 그림이나 페인팅, 직물, 스크린, 판화, 천에 한 페인팅 등의 작품과 디자인 컨셉을 첨부한다.
추가로 규격이 큰 작품은 사진이나 슬라이드로 제출할 수 있으며 아이디어 전개 상황을 보여주는 스케치북
또한 첨부할 수 있다. 추가의 드로윙 테스트가 실시된다.
※ 우편으로 보내지는 포트폴리오의 참고사항
FIT로 입학 신청을 한 후 각 분야에 해당되는 포트폴리오 준비 정보를 받게된다. 각 학과별로 요구되는
포트폴리오를 전공분야에 맞추어 규격대로 준비해야 한다. 무게가 많이 나가는 포트폴리오 케이스나 바인더,
의류, 조각작품, 보석, 유리, 3D 작품, 오디오나 비디오 테이프, 캔버스 페인팅 등 원작품은 첨부하지
않는다. 모든 작품의 규격은 11 X 14 인치를 넘지 않아야 하며 원본의 칼라복사를 특히 권장하며,
사진이나 슬라이드 등으로 대처해 보낸다.
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The University of the Arts |
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http://www.uarts.edu
Freshman: 10-20 pieces정도의 최근 아트 워크
•평가기준
Color sense, Composition, Craftsmanship, 3D-Design,
Drawing, Experimentation, Presentation
•지원서류
application form, 고등학교/대학교 성적증명서, TOFEL(500, 석사550), 추천서,
자기소개서
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| Savannah
College of Art Design |
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http://www.scad.edu
- 대학
•Visual Arts or Design Portfolios
Traditional visual artwork or design pieces may be executed
in any medium, in black and white or color, and may include,
but are not limited to, drawing, painting, design, printmaking,
collage, photography, ceramics, sculpture, jewelry, fashion,
furniture or fiber art. Portfolio pieces should represent
classroom assignments as well as independent projects and
emphasize fundamental drawing skills in still life, nature,
portraiture and figure studies. Whenever possible, the portfolio
should demonstrate drawing from life rather than from photographs.
Portfolios are reviewed on the following quantitative
measures: aesthetic awareness, composition, drawing,
design, color perception, spatial perception,
quality of presentation, technique and originality.
Strong 2-D and 3-D work that shows attention to
technique, drawing, scale and original design
are favorably considered.
•Building Arts Portfolio
Portfolios should include drawings from life, interior and
exterior drawings of buildings, and work that demonstrates
applicant’s personal creativity. Portfolios should exhibit
ability to draw, and attention to detail. Drawings from
observation are encouraged. Examples of work should include
freehand sketches, renderings, CAD drawings and any other
work that expresses the applicant’s individual style.
•Digital Media or Time-based Media Portfolio
A strong portfolio includes foundation and graphics skills
where applicable, effective use of 2-D form and composition,
and additive and subtractive color theory. In addition,
portfolios should demonstrate an aesthetic awareness and
effective use of software and tools. A strong video portfolio
includes an awareness of composition, storytelling and technical
skills. Attention to costumes, set and acting is favorably
considered. Professional presentation of the cover and label
of the tape and the inventory sheet is recommended.
•Performing Arts Portfolio
Applicants should prepare a 5- to 7-minute audition to present
in an audition and interview at the college. Audition dates
may be found on the college Web site at www.scad.edu. Applicants
who are unable to attend a SCAD audition may submit a 5-
to 7-minute VHS videotape (no PAL or BETA), CD-ROM or DVD.
Applicants should prepare two contrasting monologues or
one monologue presented with song or dance. If the applicant
plans to sing or dance in a SCAD audition, he or she must
supply the music for accompaniment in the rehearsed key.
College auditions include a cold reading. A list of pieces
that have been prepared, resume and headshot (optional)
must be submitted one week prior to the audition. Resume
of experience may include acting or other performance, directing,
stage management, costume or set design, sound design or
lighting design. Performance is reviewed on the following
qualitative measures: voice production, movement, musicality,
physical commitment, energy, relaxation, characterization,
memorization and character portrayal.
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| Formats
for Undergradtate Portfolio Submission |
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| •Slide
format
Suggested for traditional art and design portfolios.
Applicants should submit 10-20 slides in a plastic
slide sleeve with indication of correct orientation.
Slides must be professional and easy to read, with
accurate color value. The applicant’s name should
be clearly marked on each slide, and an inventory
sheet identifying each piece by title or project,
medium (or software/materials used), dimensions and
date of completion should be included. In the case
of documented professional or group projects, applicants
should indicate personal responsibilities. (See scholarship
brochure for tips on making slides.)
•Digital format
Computer generated pieces may be submitted on CD-ROM,
DVD or Zip disk (compatible with Macintosh or PC).
Images should be saved as high quality JPEG files
(with a file suffix of .jpg or .jpeg format), Adobe
.pdf files, or digital portfolios created in PowerPoint,
Director, Flash or HTML. Images should be saved at
72 dpi screen resolution with a minimum height/width
of 1,000 pixels. Digital portfolios should be checked
to assure that links work properly and all necessary
files are included. Applicants are asked to indicate
whether special instructions are necessary for the
viewing of digital portfolios. An inventory sheet
must be attached, including the applicant’s name,
title of the piece, medium or programs used, size,
date of completion, and a brief description of the
piece and applicant’s role in its development and
execution. In the case of documented, professional
or group projects, applicants should indicate personal
responsibilities.
•Multimedia format
Should be submitted in a platform-independent player
format or in Quicktime with the file suffix labeled
as .qt or .mov (.mpeg format is also acceptable).
Applicants interested in presenting a film and television
portfolio should submit work in multimedia format
or as a 5- to 10-minute sample reel on VHS videotape
(no PAL or BETA), CD-ROM or DVD. Sound design portfolios
consist of a 5- to 7-minute sample in digital or multimedia
format. An inventory sheet must be attached, including
the applicant’s name, title, medium or programs used,
size and date of completion, as well as a brief description
of the piece and explanation of the applicant’s role
in the development and execution of the project. In
the case of documented, professional or group projects,
applicants should indicate personal responsibilities.
•Research paper format
Should be submitted in a clearly organized 10- to
15-page research paper, including name, title of paper,
and class or teacher if produced as a class assignment
or with the assistance of a mentor. Papers must have
a clearly stated premise, findings and conclusion;
must be well organized; demonstrate understanding
of citing and documentation conventions and must be
submitted in a typed, double-spaced format on 8.5"
x 11" paper.
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- 대학원
•Architecture
The preferred format is an 8.5 x 11 size portfolio
book containing 20 high-quality printouts. Original
artwork should not be submitted. Work also may be
submitted in digital or multimedia format. Portfolios
should include complete architectural projects that
show various types of drawings and presentation formats,
extensive research, and both conceptual and design
processes. In certain cases, a research paper may
be accepted in lieu of a portfolio. Portfolio work
from an undergraduate program should be accompanied
by a program brief, outlining the project parameters.
•Historic Preservation
Applicants should submit a 20-page research paper
that addresses an aspect of historic architecture.
In addition, the applicant must demonstrate graduate-level
research skills and a firm grasp of grammar and citation
conventions. Graduate applicants may also include
visual examples of preservation work such as photos,
drawings, sketches or renderings of building interventions
or documentation. In addition, examples of paid or
volunteer work with preservation organizations are
favorable.
•Interior Design
Work should be submitted in slide or digital format.
If digital, Powerpoint presentation or similar format
is preferred. Portfolios should include work from
all phases of design, conceptual and process drawings
and sketches, and technical drawings including floor
plans, elevations, sections, lighting and electrical
plans. Drawings from life and other creative works
are also encouraged. Attention to detail and presentation
format are important. In certain cases, a research
paper may be accepted in lieu of a portfolio. Portfolio
work from an undergraduate program should be accompanied
by a program brief, outlining the project parameters.
•Advertising Design
Work should be submitted in slide or digital format.
If digital, Powerpoint presentation or other similar
format is preferred. Portfolio work must concentrate
on advertising design as a problem-solving process,
show sensible use of typography, demonstrate the ability
to carry a design through multiple pieces (campaign)
and represent the applicant’s proficiency with the
following software: Illustrator or Freehand (Vector),
Photoshop (image manipulation), Quark/InDesign (page
layout) and Dreamweaver/GoLive (Web authoring). If
the advertising design portfolio is incomplete, the
applicant is encouraged to submit work that reflects
his or her interest and ability in the design field.
The applicant’s statement of purpose is evaluated
to assess pursuasive writing skills. Applicants are
encouraged to submit additional writing samples of
copywriting, scholarly or other appropriate work to
demonstrate writing ability.
•Graphic Design
Work should be submitted in slide or digital format.
If digital, Powerpoint presentation or other similar
format is preferred. Portfolio work must concentrate
on graphic design as a problem-solving process, show
sensible use of typography, demonstrate the ability
to carry a design through multiple pieces (campaign)
and represent the applicant’s proficiency with the
following software: Illustrator or Freehand (Vector),
Photoshop (image manipulation), Quark/InDesign (page
layout) and Dreamweaver/GoLive (Web authoring). If
the graphic design portfolio is incomplete, the applicant
is encouraged to submit work that reflects his or
her interest and ability in the design field.
•Illustration
Work should be submitted in slide format. Portfolios
should display excellent drawing skills and strong
technique. Continuity and advanced development in
personal style and concept are highly recommended.
•Photography
Work should be submitted in slide or digital format.
If digital, Powerpoint presentation or other similar
format is preferred. The inventory sheet should indicate
which images, if any, have been digitally manipulated,
especially if the work is submitted in CD format.
Portfolios should demonstrate significant experience
in making photoraphs, aesthetic awareness, strong
technical skills, and an in-depth and consistent investigation
into a particular subject matter, aesthetic or genre.
•Sequential Art
Work should be submitted in slide format. Portfolios
should show a concentration in narrative art and should
demonstrate exceptional skill in composition, color
and figure drawing.
•Fashion
Applicants should submit work in slide format. Portfolios
should show process in the form of fashion illustration
and sketches and should demonstrate a strong background
in sewing, pattern drafting and draping with original
sewn sample garments, preferably with a concentration
in a specific aspect of fashion design. Working knowledge
of Photoshop and Illustrator is recommended.
•Fibers
Applicants should submit work in slide format. Applicants
should demonstrate a high level of technical and conceptual
ability, as well as creative research, investigation,
problem solving and an awareness of material processes.
Applicants should also demonstrate a well-developed
personal and aesthetic/design direction in the ability
to develop work around a theme or concept as evidenced
by a series of related works.
•Furniture Design
Applicants should submit work in slide format. Portfolios
should exhibit experience in furniture design and
construction. Strong design and drafting skills are
expected of applicants.
•Industrial Design
Applicants should submit work in slide format. Portfolios
should exhibit an advanced level of design and conceptual
ability, as well as an indication of direction or
concentration within industrial design.
•Metals and Jewelry
Applicants should submit work in slide format. Work
should show evidence of experience in metals and/or
jewelry, with a minimum of 10 slides showing work
in jewelry and/or metalsmithing. If the applicant
does not have 20 slides of jewelry or metalwork, he
or she should show the strongest 3-D work, then evidence
of drawing ability. Successful portfolios should demonstrate
broad technical knowledge of diverse metals and jewelry
processes as well as strong design and conceptualization
skills. Evidence of creative investigation, problem
solving, and appropriate and skillful use of materials
is essential.
•Animation
Work should be submitted in digital or multimedia
format. A strong portfolio includes foundation and
graphics skills where applicable, effective use of
2-D form, and composition, additive and subtractive
color theory. In addition, portfolios should show
aesthetic awareness, effective use of software and
tools to support the aesthetic, and mature artistic
or commercial direction in work that corresponds to
the applicant’s academic goals.
•Broadcast Design and Motion Graphics
Work should be submitted in digital or multimedia
format. A strong portfolio includes foundation and
graphics skills where applicable, effective use of
2-D form, and composition, additive and subtractive
color theory. In addition, portfolios should show
aesthetic awareness, effective use of software and
tools to support the aesthetic, and mature artistic
or commercial direction in work that corresponds to
the applicant’s academic goals.
•Film and Television
Work should be submitted as a 5- to 10- minute sample
reel on VHS videotape or in digital or multimedia
format. The inventory sheet should include details
of applicant’s responsibilities in the creation of
the project, including names of those responsible
for lighting, editing, camera work and directing.
Portfolios should show knowledge of film and television
media as well as exhibiting advanced conceptual awareness
and experimentation with the chosen medium.
•Interactive Design and Game Development
Work should be submitted in digital or multimedia
format. A strong portfolio includes foundation and
graphics skills where applicable, effective use of
2-D form and composition, additive and subtractive
color theory. In addition, portfolios should show
aesthetic awareness, effective use of software and
tools to support the aesthetic, and mature artistic
or commercial direction in work that corresponds to
the applicant’s academic goals.
•Sound Design
Work should be submitted as a 5- to 7-minute sample
in digital or multimedia format. The inventory sheet
should exactly describe the applicant’s participation
in each of the projects demonstrated, as well as indicate
other source material utilized. The portfolio should
demonstrate ability in one or more of the following:
sound design for visual media (film, video, computer
animation or interactive programs), sound design for
theater, original music production, recording and/or
mastering, or sound art compositions.
•Visual Effects
Work should be submitted in digital or multimedia
format. A strong portfolio includes foundation and
graphics skills where applicable, effective use of
2-D form, and composition, additive and subtractive
color theory. In addition, portfolios should show
aesthetic awareness, effective use of software and
tools to support the aesthetic, and mature artistic
or commercial direction in work that corresponds to
the applicant’s academic goals.
•Painting
Work should be submitted in slide format. Applicants
should submit a portfolio that demonstrates intellectual
and artistic maturity, as well as the capacity to
develop an idea through a series of works. Applicants
are encouraged to include related works that indicate
their current artistic direction. The written statement
should summarize the relevant issues in the current
work, and provide a sense of the direction the work
might take during graduate study. The graduate painting
program supports individual student direction and
explores the full range of sensibilities derived from
contemporary art.
•Architectural History
Applicants should submit a 20-page research paper
demonstrating critical and analytical thinking as
well as advanced research and writing skills. Completion
of basic architectural history classes or select art
history courses is expected of applicants. Syllabi
may be requested. Applications also are evaluated
for studio-based skills and field experience. GRE
scores at or above the national mean may be one measure
to indicate ability to succeed in academic coursework
at the graduate level.
Art History
Applicants should submit a 20-page research paper
demonstrating critical and analytical thinking as
well as advanced research and writing skills. Completion
of basic art history classes is expected of applicants.
Previous coursework in history and foreign language
is preferred. GRE scores at or above the national
mean may be one measure to indicate ability to succeed
in academic coursework at the graduate level.
•Media and Performing Arts
Applicants pursuing a performance emphasis should
prepare a 5- to 7-minute performance to present in
an audition and interview at the college. Audition
dates may be found on the college Web site at www.scad.edu.
Applicants who are unable to attend a SCAD auditionmay
submit a 5- to 7-minute VHS videotape (no PAL or BETA),
CD-ROM or DVD. Applicants should prepare two contrasting
monologues or one monologue and a song or dance. If
the applicant plans to sing or dance in a SCAD audition,
he or she must supply the music for accompaniment
in the rehearsed key. College auditions may include
a cold reading. A list of pieces that have been prepared,
resume and headshot must be submitted one week prior
to the audition date. Performance is reviewed on the
following qualitative measures: voice production,
movement, musicality, physical commitment, energy,
relaxation, characterization, memorization and character
portrayal.
Applicants pursuing design should submit 20 color
renderings, slides or production photographs. Applicants
are encouraged to submit work in other disciplines
if available. Resume of experience may include acting
or other performance, directing, stage management,
costume or set design, sound design or lighting design.
Application materials cannot be returned.
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| Formats
for Portfolio Submission |
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| •Slide
format
Suggested for traditional art and design portfolios.
Applicants should submit 20 examples of work in a
plastic slide sleeve with indication of correct image
orientation. Slides must be professional and easy
to read, with accurate color value. The applicant’s
name should be clearly marked on each slide, and an
inventory sheet identifying each piece by title or
project, medium (or software/materials used), dimensions
and date of completion should be included. In the
case of documented professional or group projects,
applicants should indicate personal responsibilities.
(See scholarship brochure for tips on making slides.)
•Digital format
Computer generated work should be submitted on CD-ROM,
DVD or Zip disk (compatible with Macintosh or PC).
Acceptable file formats are high-resolution JPEG (with
a file suffix of .jpg or .jpeg format), Adobe .pdf
files or digital portfolios created in PowerPoint,
Director, Flash or HTML. Digital portfolios should
be checked to assure that links work properly and
all necessary files are included. Applicants are asked
to indicate whether special instructions are necessary
for the viewing of digital portfolios. An inventory
sheet must be attached, including the applicant’s
name, title, medium or programs used, size and date
of completion, as well as a brief description of the
piece and applicant’s role in the development and
execution. In the case of documented, professional
or group projects, applicants should indicate personal
responsibilities.
•Multimedia format
Work should be submitted in a platform-independent
player format or in Quicktime with the file suffix
labeled as .qt or .mov (.mpeg format is also acceptable).
An inventory sheet must be attached, including the
applicant’s name, title, medium or programs used,
size and date of completion, as well as a brief description
of the piece and explanation of the applicant’s role
in the development and execution of the project. In
the case of documented, professional or group projects,
applicants should indicate personal responsibilities.
•Research paper format
Should be submitted as a clearly organized 20-page
document including name, title of paper, and class
or teacher if produced as a class assignment or with
the assistance of a mentor. Papers must have a clearly
stated premise, findings and conclusion; must be well
organized; and must be submitted in a typed, double-spaced
format on 8.5" x 11" paper.
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http://www.schoolofvisualarts.edu
- 대학
Advertising, Animation, Cartooning, Computer Art, Fine Arts,
Graphic Design, Illustration and Interior Design applicants
are asked to submit examples of work done in the areas of
drawing, painting, and/or sculpture.
Photography applicants are asked to submit a portfolio of
photographic images.
Film and Video applicants are asked to submit a two-part
essay instead of a portfolio.
•Portfolio Reviews
Along with academic transcripts and the statement of intent,
the portfolio plays an important role in the admission review
process. Portfolios are reviewed with the goal of identifying
the creative and technical skills, abilities and potential
of each applicant.
A portfolio should reflect each individual's unique art
background and experiences. No portfolio will ever be compared
to another when assessing admission eligibility.
•Selecting Artwork
The ideal portfolio will consist of 15 to 20 pieces of recent
artwork and will include examples of work done from the
direct observation of life. When deciding which pieces to
include in a portfolio, the advice and suggestions of others
can be helpful. However, it is important that the applicant
makes the final decision and submits a portfolio that best
represents those ideas, issues and work that they would
like considered in the review process.
Though applicants may want to include examples of work from
past years, especially to demonstrate growth, it is more
important to submit work that represents current skills
and experiences.
It is also important to submit work that speaks to an applicant's
strength. Submitting work simply to show a range of mediums
(such as one charcoal, one pastel, one watercolor, etc)
is not recommended if it sacrifices consistency of quality.
•In-Person Reviews
Applicants should bring actual work to an interview or portfolio
day event. Work does not need to be mounted or matted. However,
the care in which an applicant presents and discusses his/her
work can play an important part in a review.
Oversized work and three-dimensional work should be submitted
in slide form.
Sketchbooks can play an insightful role in a portfolio review.
Applicants are asked to limit sketchbooks to the most recent
and complete book.
Actual portfolios will not be accepted by mail or drop-off
and should only be submitted at the time of an in-person
review.
•Slide Portfolios
Applicants who do not attend interviews are asked to submit
portfolios in 35mm slide form.
Slides can be shot using 35mm slide film instead of print
film and can usually be processed at a local film lab.
Artwork should be photographed individually, on plain white
backgrounds, in natural lighting situations.
When shooting artwork, the top and bottom edges or left
and right sides of the artwork should fill the entire frame
of the camera.
Slides must be numbered and ordered in an 8.5 x 11"
20-slide sheet. Each slide must be labeled with the applicant's
name, medium and size of each work, and year in which the
work was completed.
•Scholarship and Transfer Applicants
Applicants who have previously met the visual requirement
for admission must also have a slide portfolio on file to
be considered for scholarship or to be reviewed for studio
transfer credit.
•Digital Portfolios
At this time, it is not advisable to submit portfolios in
digital form. Though an admissions review can be conducted
by reviewing electronic portfolios, slides are still required
for scholarship and transfer placement reviews.
All slide, print, and digital portfolios become the property
of SVA and will not be returned. It is advisable to make
duplicate slides at the time of development. A master copy
of each slide should also be kept by the applicant.
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http://www.pratt.edu
목탄이나 연필로 그린 최근작품 3점이 포함된 2D나 3D 분야의 8~20 examples 자화상,
정물화, 선택화 절대적으로 필요함.
Computer Graphics and Interactive Media
12-15slides or 8.5”*11”prints
VHS tape or CD-ROM (analog or digital or both)
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Art Center College of Design |
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1 A minimum of 12 and a maximum of 20 original
pieces, including work related to an applicant’s
proposed major, is required. Portfolios submitted
for advanced standing should consist of 20 or
more samples representing work completed in the
major area. For most majors, a portfolio of slides
only is not acceptable. If you have slides or
photographs of three-dimensional or oversized
pieces, you may submit them in addition to the
required original works. Submit slides in sleeves.
Sketchbooks may also be included. Color copies
are acceptable for some departments as described.
2 In addition to work specified for your major,
be sure to include pieces that will help the committee
to understand the diversity of your interests
and that will suggest your ability to work within
a trans-disciplinary curriculum. Although no specific
number of pieces outside your major is required,
work that reflects your thinking or abilities
outside your major will be important components.
3 Samples should be flat, not rolled. Framed
or glassed pieces cannot be accepted. Do not tape
overlays, if any are included. Do not wrap individual
pieces.
4 Portfolios cannot exceed 24-by-36 inches in
height and eight inches in width, suitable for
vertical storage. The maximum weight, including
case, is 25 pounds. Avoid submitting heavy cartons,
which are costly to ship and difficult to handle.
5 Pieces must be submitted in a case or container;
loose pieces are not acceptable. Protect your
work by ensuring that the container is durable
and safely packed.
6 Affix your name to the outside of your portfolio.
Mark the back of each portfolio piece with your
name. While great care is taken, Art Center does
not accept responsibility for loss of or damage
to an applicant’s work.
7 Submit your portfolio. Applicants can bring their portfolios
directly to the Admissions Office between 8:30 a.m. and
4:30 p.m., Monday through Friday. If you would like to meet
with an admissions counselor before applying, please read
the section on visiting the campus. If you mail your portfolio,
we suggest that you insure it. Portfolios should not exceed
24-by-36 inches or 25 pounds. Applicants from overseas are
advised to send their portfolios by parcel post or air parcel
post; we cannot collect portfolios sent by air freight.
Returning your portfolio. Let us know how to return your
portfolio by completing the portfolio return form. Portfolios
will be mailed to applicants within the U.S. and will be
insured for a value of $100. Applicants outside the U.S.
must include a check or money order in U.S. dollars to cover
return postage. International reply coupons are not acceptable.
A postage estimate can be obtained from your local post
office. You may also pick up your portfolio in person from
the Admissions Office during business hours. Space consideration
may necessitate the disposal of portfolios not claimed within
six months of review.
| Portfolio
Requirements For Specific Majors (Undergraduate) |
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| Advertising
Submit 10 to 12 original advertising concepts that
you have developed. These examples should combine
copy and visuals. They may be presented in any form
that best communicates the idea; they need not be
computer-generated. Color or black-and-white copies
are acceptable in lieu of originals. Sketches, drawings,
photographs, illustrations and/or graphic designs
may also be included. Sketchbooks or notebooks showing
preliminary visual and verbal idea development and
process should be included. Emphasis is placed on
ideas and problem solving.
Environmental Design
Submit a minimum of three spatially or three-dimensionally
oriented projects. These should include drawings and
sketches, along with photographs of models or slides
that demonstrate an understanding of three-dimensional
space, technical skills and design sensibility. Examples
of work may include interior design, furniture design,
lighting design, set design, and architectural design
projects. Limited examples of drafting or technical
drawing are acceptable but must be accompanied by
three-dimensional representations. The purpose of
the portfolio is to determine a candidate’s potential
for success within the department. Applicants will
be considered for their design concepts, as well as
basic drawing and model-making skills. A descriptive
paragraph explaining the design concept and solution
should be included with each project submitted. Quantity
is not as important as quality. Color copies of sketches
and models are acceptable in lieu of originals.
Film
Submit completed film or video projects of at least
three minutes total running time. There is no maximum-length
requirement, but lengthy portfolios (30 minutes or
more) can cause delays in the application process.
Several short films/videos are also acceptable. Films/videos
should represent an interpretation of a subject, tell
a story or present a point of view, rather than simply
record a situation. They should also demonstrate concern
for photographic composition, editing and staging.
Submitted work may be a documentary, drama, comedy
or several 30- to 60-second commercial spots or music
videos. Still photographs, prints, and artwork are
helpful additions but do not replace the required
film work. Mark the cassette clearly on the outside
with running time and medium. All work must be submitted
in 1/2-inch VHS, 3/4-inch NTSC U-Matic formats, DVD,
or CD. PAL and Beta formats, as well as 8mm, 16mm,
and 35mm prints, are not acceptable for review.
Fine Art Media
Include a representative selection of your work in
any media. In addition to submitting examples of foundation
skills that demonstrate particular abilities, it is
important to also present personal work that reveals
experimentation. Any direction and any medium will
be considered, including all forms of drawing, representational
and nonobjective painting, sculpture, printmaking,
photography, film, video and installation documentation.
Conceptual work and artist’s statements are also welcome.
For larger works, or if the originals are not available,
please submit appropriate slides. Applicants seeking
to major in Fine Art Media with a Photography + Imaging
minor should also submit at least eight black-and-white
photographs with contact sheets.
Graphic Design
Include layouts or comprehensives for projects, such
as posters, brochures, editorial design, package design,
motion graphics, Web design and identity systems.
Pieces that exhibit a grasp of an issue, an individual
point of view, or a unique approach to a problem are
helpful. Evidence of an understanding of and passion
for typography is a must. Samples of logotypes, lettering,
life drawing, and general color and design assignments
should be included. A combination of finished pieces
and sketches is desirable. If submitted work has been
produced, attach an explanation of the role played
in the creation of the work (overall design, production
only, etc.). Color copies are acceptable in lieu of
originals. Motion work should be submitted as storyboards
as well as on CD (Quicktime files that are optimized
at 200 MB or less and Mac-compatible).
Illustration
Submit life and figure drawings from live models.
Other observational drawings from life are also important.
Include imaginative drawings and design concepts in
color and black and white. Include pieces that convey
a story or concept. Emphasis is placed on observational
drawing skills as well as personal expression and
conceptual development. Sketchbooks can be a helpful
addition.
Photography + Imaging
Submit a minimum of 20 black-and-white and/or color
prints or color slides. Any combination of these is
acceptable. The prints should be at least five by
seven inches and should include related contact sheets.
If you submit slides, mark each one clearly with your
name, title of work (if applicable), and an arrow
indicating the top of the image. Any slides should
be submitted in a KODAK 80 carousel with box. The
sides of the carousel tray and the box top should
be labeled with your name, address and number of slides
submitted (20 maximum). Slides will be presented as
they are received, so preview your slides to assure
they are inserted properly for projection. The works
should reflect a connection between idea and technique
and display strengths in implementing your original
vision. Variety of subject matter, concept and exploration
is encouraged. Presentation of the printed work is
also important: Photographs should be mounted, matted
on boards or placed in clear pages in a binder or
portfolio case.
Product Design
Submit sketches and finished drawings of three or
more original product designs (consumer products such
as coffeemakers, toasters or personal stereos; furniture;
lighting; or medical and computer equipment). Emphasis
should be on the function of the product, as well
as the aesthetics and originality of the design. At
least one project should show a thorough researching
and exploration of a product from beginning through
intermediate sketches to a final finished rendering
of the product. Inclusion of three-dimensional models
is optional. Of primary importance are exploratory
sketches that show a variety of solutions and ideas
for each product presented. Sketchbooks should be
included. Color copies are acceptable in lieu of original
drawings.
Transportation Design
Submit drawings and sketches of original design concepts
for transportation products such as automobiles, trucks,
buses, trains and motorcycles. Inclusion of designs
for non-vehicular products is encouraged, particularly
with evidence of problem solving. Technical-drawing
skills must be displayed. Inclusion of informal sketches
(loose or in notebook form) that show idea development
is highly recommended. Color copies are acceptable
in lieu of originals.
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| GRADUATE
PORTFOLIO REQUIREMENTS |
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Criticism & Theory
Submit a minimum of 20 typed pages of theoretical/critical
writing that constitutes an expanded analysis of some
aspect of 20th century art or design theory.
Film
Submit a minimum of three minutes of original film
work in 1/2-inch or 3/4-inch formats, DVD or CD. See
additional requirements listed in the undergraduate
portfolio requirements section.
Art
The MFA program in art is open to candidates working
in any medium. Applications may take the form of slides,
video, DVD or CD. Candidates working with film, video,
performance, or sound should send complete examples
of each piece. Do not send original work or documentation
that cannot be projected.
Industrial Design
Submit a portfolio demonstrating multidisciplinary
interests in design, with particular emphasis on product,
environmental, or transportation design. In addition
to technical competence deriving from a previous degree
in a design or design-related discipline, evidence
of diverse previous experience in design (architecture,
set design, animation, etc.) will be given special
attention in the application process. Portfolio submission
must include rough development documentation, as well
as finished work. Students should be aware that the
graduate program is intended for research, for acquiring
a deep understanding of design at all levels, and
for self-development.
Media Design
The design portfolio is the cornerstone of the application
submission materials. It should be a professionally
presented and edited body of work that demonstrates
the applicant's expertise in the creation of sophisticated
media forms.
Submit work that demonstrates strong conceptual thinking
and effective design. Include advanced-level graphic
design work that indicates a strong background in
form, typography, and image composition. Interactive
work should demonstrate similar visual control, as
well as strong information architecture, integration
of multiple media, dynamic presentation, and productive
interaction. Experimental animation or video will
also be considered. Slides are not acceptable. Written
descriptions accompanying projects are helpful. Applicants
are encouraged to include personal work as well s
work produced in commercial or academic contexts.
Formats may include print, CD-ROM, DVD, or VHS video.
For digital submission, both Macintosh and PC should
be supported. Web URLs are also acceptable, but the
entire site should be submitted on CD-ROM as a precaution.
A printed list of portfolio items is required. Clearly
state your contribution to any work submitted, and
do not submit work in which your participation was
in a production capacity only.
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California Institute of the Arts |
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http://www.calarts.edu
•PORTFOLIO GUIDELINES
A portfolio is required. Please send your portfolio with
the Portfolio Information Form to the Office of Admissions
in a separate package. The review of your portfolio will
be delayed if you send it to the School of Art.
· Label everything you submit with your name,
the date completed, dimensions and medium.
· Include a complete slide list that briefly describes
your work, including titles, dates, dimensions
and medium.
•SLIDES
Send slides in a round 80-capacity carousel; do not send
140-capacity carousels. Be sure to preview your carousel
before sending it. Do not use adhesive labels on slides.
Orient all slides correctly and indicate the top right of
each slide with an arrow or dot. Slides in slide sheets
will not be reviewed.
•VIDEO/FILM
All videos should indicate the running time of each piece
and be cued appropriately. In the case of film works, please
supply only VHS or DVD copies. We do not accept mini-DV
or Hi-8 tapes.
•DIGITAL WORK
- Please submit in a digital format only work that was originally
created digitally. Do not submit digital CD documentation
of still imagery such as paintings, drawings, sculpture,
etc. Work of this nature should be documented in slide form.
- All Web sites should be submitted on CD; do not merely
supply us with the URL (example: http://calarts.edu).
- Digital portfolios should be set at the screen resolution
of 72 dpi.
- Instructions for viewing should be self-explanatory. Technical
difficulties will be considered as incomplete presentations.
It is recommended that you provide printed examples to supplement
your presentation.
•ARTIST STATEMENT
An artist statement is required of all applicants. Please
use this statement to discuss what informs your art-making
practice, your reasons for applying to CalArts and your
artistic goals.
•PROGRAM IN ART (BFA, MFA)
Submit 10 to 20 slides representative of your most recent
work. When relevant or necessary, submit videotapes, films,
texts, audiocassettes, etc. Do not send original work. The
Art faculty is interested in what motivates or inspires
each individual applicant, and looks for evidence of this
in both the work submitted and the artist statement. BFA
applicants should send slides of personal work, not class
assignments.
■ PROGRAM IN GRAPHIC DESIGN (BFA, MFA)
•BFA APPLICANTS
Submit a portfolio of your current work, preferably on 35mm
slides, with a minimum of 20 pieces. These should include
examples of graphic design, typography, conceptual visualization
(drawing as examples of conceptual thinking) and your level
of experience with technology. These examples may range
from class assignments and self-initiated projects to professional
work. Include a personal statement specifically addressing
your interest and knowledge of graphic design as a professional
practice.
•MFA APPLICANTS
Submit a portfolio of your current work with a minimum of
20 pieces. These may be printed or electronic. Examples
of digital work should be in a Macintosh format. Instructions
for viewing should be self-explanatory. Technical difficulties
will be considered as incomplete presentations. Please provide
printed examples to supplement your presentation. Additional
materials may be included if they further demonstrate your
conceptual abilities. Selected graduate candidates will
be invited to visit the department on a given date for an
informal interview to meet faculty and students.
Your personal statement should concisely address your objectives
and goals as a designer in the context of current issues
in design practice, as well as how they serve as a basis
for graduate-level study. Please follow the recommended
deadline of January 5, 2005, to ensure the timely review
of your portfolio and financial aid application.
•THREE-YEAR MFA APPLICANTS
Along with the regular two-year MFA program, there is a
three-year MFA curriculum for those who need additional
studies in graphic design. A "pre-MFA" year builds
essential design skills for those who lack an undergraduate
education in graphic design or need additional formal experience
in order to compete at the graduate level. After completion
of the pre-MFA year, students are reviewed to determine
whether they will continue in the program as first-year
MFAs. Prospective students do not apply directly for the
three-year MFA track; instead, appropriate candidates are
determined by faculty review during the regular MFA admissions
process.
■ PROGRAM IN PHOTOGRAPHY & MEDIA
(BFA, MFA)
Submit approximately 20 examples of your most recent work,
or a presentation of your practice that is complete and
cohesive, and represents what you believe to be your best
work. The works you submit need not be purely photographic;
we are interested in a variety of media practices and integrations.
We want to know what your interests are, and how these interests
are represented in the work that you have sent. Edit and
sequence works carefully. You may send more than one body
of work and more than one media type (video, slides, texts,
Web sites, CD-ROMs).
However, we recommend that you emphasize one or two bodies
of work clearly rather than sending a sample of many different
projects. Please send multimedia or Internet works in a
complete form on a separate CD-ROM when possible. Sending
slides or documentation of your work is preferable to sending
originals.
School of Film/Video
•PORTFOLIO GUIDELINES
A portfolio is required. Please send your portfolio with
the enclosed Portfolio Information Form to the Office of
Admissions in a separate package using the enclosed label.
The review of your portfolio will be delayed if you send
it to the School of Film/Video.
Because of time constraints in reviewing large
quantities of tapes and films from many applicants,
we ask you to send only your best work. The suggested
total time of the film or tape material (no matter
how many pieces) is 10 minutes. Five minutes of
quality material is better than 30 minutes of
mediocre work. Please note, however, that we prefer
to receive complete works rather than excerpts.
Please do not send the only copy of your creative
work. Stretched-canvas, framed or three-dimensional
works cannot be accepted; please document them
in slides.
The Portfolio Room is equipped with the following
viewing methods: 16mm film (silent, sync sound
and double system), VHS video (U.S. and non-U.S.
standards) and DVD. We do not accept one-inch,
two-inch or Hi-8 videotape.
- Label everything you submit with your name, the date
completed, dimensions and medium. Label your video (and/or
16mm film) with (a) the number of pieces on the cassette;
(b) the title and running time of each piece; (c) a word
or phrase designating your responsibility in the production
of each piece (e.g., camera, writer, etc.). Enclose a separate
sheet of paper with the same information as above. List
your priority for viewing.
- Send slides in a round 80-capacity carousel; do not send
140-capacity carousels. Slides in slide sheets will not
be reviewed. Be sure to preview your carousel before sending
it. Load your slides upside down and backwards. Make sure
that all slides are oriented correctly and indicate the
top right of each slide.
- Do not send glass-mounted slides. Keep in mind that tape
and gummed labels on your slides will jam the projector.
- Transfer all Super 8mm film onto videocassette.
- Also, if possible, transfer 16mm film onto videocassette.
- Please cue tapes.
- All films should be head out.
- Do not submit unmounted photographic prints.
- Label and number each page of written material.
- No fiber-filled packages.
- No mailing tubes.
■ PROGRAM IN FILM & VIDEO (BFA,
MFA)
The clearest evidence of talent is a film or videotape.
You may supplement your work with creative work in other
fields, particularly visual material such as artwork, photography,
drawings and designs, especially if you believe it will
help the faculty to understand the kind of filmmaker you
are.
While you must have visual material in your portfolio, you
may also send creative written material if you feel it indicates
your direction. If you choose to submit creative writing
such as scripts, stories or poems, please be aware that
such material lengthens the time required for reviewing
your portfolio. Short pieces are preferred.
In addition to the personal statement required of all applicants,
you must submit the following written items:
- Comments: Brief comments on films, books, plays, television
shows, etc., that you feel have influenced your thoughts
as a filmmaker/video artist. It is important to say why
and how these works have influenced you. Avoid writing plot
summaries.
- Project Plans: Regardless of the work you have done to
date or practical skills you have developed so far, outline
an example of a project you have in mind. Describe primarily
the type or idea of the project-not the technical aspects
of how you would arrange to have it made. Keep in mind that
such a plan is meant to give the faculty an idea of the
type of filmmaking that interests you, not an idea of a
project you will necessarily produce at CalArts.
- Type all written material.
- Send three copies of all written materials, including
your artist statement.
- Include brief 1-2 sentence synopsis of work included in
your portfolio.
- Label each of the written items you submit.
■ PROGRAM IN EXPERIMENTAL ANIMATION
(BFA, MFA)
The Program in Experimental Animation promotes and supports
animation as a fine art. In making admissions decisions,
the program's faculty considers animated films, submitted
on video, and other visual materials such as flip books,
paintings, drawings, storyboards and photographs that suggest
motion or animation. The faculty recommends submitting portfolios
that contain examples of unique, personal expressive art.
If you do not have a film or video work to send, it is especially
important to submit visual artworks that indicate your creative
potential. Personal creative visual work (preferably not
class assignments) that you believe represents your own
interests will be very helpful to the review committee in
making a decision on your application.
Submit brief comments on films, books, art,
etc., that you feel have influenced your thoughts
and work as an artist. It is important to say
why and how these works have influenced you. Avoid
writing plot summaries.
- Transfer any motion picture films to NTSC-standard VHS.
- Films submitted on DVD or CD are not accepted.
- Do not submit static art or video art as an interactive
portfolio presentation (individual image files which can
be opened in Photoshop are acceptable). However, you may
submit work which was originally designed as interactive
art. Test your DVD on a variety of computers and configurations
if at all possible.
- Do not submit work which requires connection to the Internet.
■ PROGRAM IN CHARACTER ANIMATION (BFA
ONLY)
Students are accepted into this program only at the BFA1
level because of the highly sequential nature of the studies.
Applicants with previous college experience may be eligible
for a year-level review during their third year in the program.
Submit a portfolio of at least 20 drawings from
life. Do not try to clean up the drawings by erasing
the construction lines. These under-drawing/construction
lines are especially helpful to the faculty in
understanding how you approach life drawing. Each
drawing should make a statement by itself. Do
not send photocopies or photos of your work. Do
not send traced pictures or copies of other peoples'
work.
At least 80 percent of your application portfolio
should be drawings of people and animals from
real life-these drawings ought to range from one-minute
gestures to longer poses. Landscape drawings,
including interiors as well as exteriors, animal,
bird, marine drawings and floral studies, both
linear and color, are a plus. Caricatures, cartoons,
sketchbooks, flip books, animated films and fine
art should be submitted as supplements to the
required observational drawings. You may include
slides of artwork that will not fit into a flat
portfolio such as large drawings, paintings, sculptures,
etc. Submit a separate sheet with your slides
indicating dimensions and medium used for each
piece.
■ FILM DIRECTING PROGRAM (MFA ONLY)
Submit a portfolio containing:
· A VHS or DV cassette or DVD (no longer than 10 minutes)
that includes a) your performance of short dramatic monologue
(one or two minutes in length) memorized from a published
play or film, and b) your telling of a brief story based
on a personal experience particularly important to you.
These recordings will not be judged on technical expertise.
The purpose is to indicate your acting potential and your
sense for storytelling. For the storytelling segment, please
do not script, rehearse, "perform" or edit your
story; simply videotape yourself telling a story. Do indicate,
however, why you chose the monologue and how it relates
to the kind of work you would like to pursue.
- A resume of your training, performance experience and
production experience.
- Samples of original work such as a play, story or screenplay
(no longer than 10 pages) or visual materials such as still
photography, drawings or designs.
- A film or video of dramatic narrative work or an excerpt
of a piece directed by you (no longer than 5-7 minutes).
Again, we are not concerned with technical quality. We understand
that some may not have made a film or video previously.
It is perfectly fine if this is your first time.
- A ground plan for one of the following plays: Anton Chekhov's
The Three Sisters, Henrik Ibsen's The Doll's House, or Tennessee
Williams' A Streetcar Named Desire.
In addition, please include
the following:
- A list, including authors' names, of six books you have
enjoyed in the past year.
- A list of three films or plays you admire, and brief comments
indicating how they have influenced your thoughts as a director.
Avoid writing plot summaries.
- An outline of a project you have in mind. You do not need
to elaborate on the technical aspects of how you might realize
this project. The project description is meant to give the
faculty an indication of the type of filmmaking in which
you are interested, not a work you will necessarily produce
at CalArts.
- A listing and description, in one sentence, of your interests
and hobbies outside of film and theater.
- Three copies of all written materials.
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California College of Arts and Crafts |
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http://www.ccac-art.edu
- 대학원
•Architecture.
A portfolio demonstrating your creative achievements
must be submitted with your application. Portfolios must
be submitted in hard copy. Websites, CDs, DVDs, videos,
and slides may be submitted as supplemental material only,
which may or may not be reviewed. For candidates who have
not had an architectural background, the portfolio should
demonstrate some evidence of a visual sensibility. Candidates
for advanced standing should demonstrate clear visual evidence
of their architectural education and level of ability. Portfolios
should be one of two sizes, 8 1/2" x 11" or A4,
and should contain no more than 20?25 pages of work samples.
•Curatorial Practice.
Your portfolio must consist of an exhibition proposal (see
below) and a 1,000-word essay critiquing an exhibition that
you have seen. The essay should reflect your current interests
in exhibition-making, expressing what you think is important
about the exhibition you are discussing, and critiquing
the artists or works that were selected and the way the
exhibition was presented.
The exhibition proposal (no more than three pages) is a
chance for you to showcase your creative ideas, demonstrating
your current thinking about art practice and presentation.
The proposal should include a basic outline of the exhibition's
thesis; the reason(s) the exhibition is relevant; a preliminary
list of artists, works, and objects; the site/venue of the
exhibition; and any public events, if applicable (such as
lectures, performances, or writings) that are integral to
the exhibition. If you want to include images, please integrate
photocopies into your proposal.
Design. Submit a portfolio that is the best representation
of your work to date. We welcome inventive portfolio submissions
that give a sense of the applicant's interest in a particular
medium and serve as a platform for investigating relevant
ideas. Your portfolio should consist of twenty labeled 35
mm slides in a plastic slide sheet. Slides should reflect
previous design work and/or other examples of visual/creative
artwork. A one-page slide list identifying each work by
number, title, dimensions, and medium must accompany your
slide portfolio. You may include digital work, print media,
and video as an additional submission, though we will consider
your 35 mm slides as your primary submission. All digitally
formatted work should be supplied on a Macintosh-compatible
CD-ROM or DVD, and should be submitted with screen prints
or any manner of hard-copy output, completion date, and
any other relevant information.
Fine Arts. It is highly recommended that all Fine Arts applicants
(except media arts applicants) submit slide portfolios.
CD-ROMs, VHS tapes, and DVDs can be submitted as supplemental
material only. Submit a portfolio of fifteen labeled 35
mm slides showing a cohesive body of current work in a plastic
slide sheet. Slides will be reviewed first; supplemental
materials may or may not be reviewed, at the discretion
of the faculty. If more than fifteen slides are submitted,
only the first fifteen will be reviewed. Media arts applicants
may submit VHS tapes, CD-ROMs, DVDs, or slides (not original
films). Running time must be listed on all videos and must
not exceed fifteen minutes. Photography applicants may not
submit original prints; to do so may put your application
at a disadvantage. Applicants applying to more than one
discipline must send a separate portfolio and checklist
for each discipline.
Specific instructions:
- Include a one-page checklist identifying each work by
number, title, dimensions, medium, completion date, and
any other relevant information.
- Label slides at the top with name, title, and accompanying
number on checklist. Indicate top with an arrow on the slide
mount. Submit slides in a plastic slide sheet labeled with
the applicant's name.
- Digital work may be submitted on a CD-ROM or DVD formatted
for Macintosh. Files in any universal audio, video, graphic,
web, or CAD format are acceptable (.jpg, .aiff, .mov, .pdf).
Macromedia Flash work is preferable in .swf format, and
Director work should be a Projector file.
•Visual Criticism
Your portfolio must consist of two writing samples (5,000
words maximum per sample). These samples should allow the
admissions committee to gain an understanding of your interest
in the field of visual criticism and your creative potential.
You are welcome, but not required, to submit visual arts
materials (up to ten labeled 35 mm slides in a plastic slide
sheet) in support of your application. (Include a one-page
checklist identifying each work by number, title, dimensions,
medium, completion date, and any other relevant information.)
Writing. Your portfolio must consist of writing samples
(totaling twenty pages maximum) that reflect your main area(s)
of interest. You may include poems, short stories, a section
of a novel, text for performance (include video, if available),
creative nonfiction, or writing for new genres. You are
welcome, but not required, to submit visual material (if
relevant) in support of your application, including up to
five slides, book art, video, CD-ROMs, or DVDs. (Include
a one-page checklist identifying each work by number, title,
dimensions, medium, completion date, and any other relevant
information.)
Return of Portfolio. Portfolios will be returned to all
applicants with a U.S. mailing address. Applicants who live
outside the United States must include self-addressed, stamped
first-class U.S. mail packaging for return of their portfolios.
Although every precaution is taken to protect portfolios,
California College of the Arts cannot be responsible for
loss or damage.
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Otis College of Art and Design |
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http://www.otis.edu
- Your portfolio should contain 10-20 examples
of your best and most recent work in any medium,
including time-based, drawings, illustration,
painting, photography, two-dimensional design,
sculpture, drafting, and three-dimensional design.
- Whether you submit slides, CDs, DVDs, or VHS
tapes, please include an index with the name of
the piece, medium, approximate dimensions, date,
and any other information that would be helpful
to the review committee. Slides should be submitted
in an 8 1/2" x 11" transparent slide
sheet. Label each slide with name and phone number.
With digital files, please include file type (jpeg,
tiff, gif, mov, mpg, etc.), what programs were
used to create the work, and any special instructions
on how to open them. Label both the jewel case
and the disc with your name, address, phone, and
email. The Admissions Office accepts original
work in person only during regular office hours.
It does not need to be framed or matted. Contact
the Admissions Office for further information.
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School of the Art Institute of Chicago |
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http://www.artic.edu/saic/saichome.html
•Slides
Please submit a minimum of 10 slides in a clear
plastic slide sheet. Include an inventory list
with the title, size, date, and media.
Label the slides as shown. With a pen or a marker,
write “Top” in the upper right-hand corner and
place your name on the front of the slides.
- Drawings, prints, photographs or paintings
- Film, video or audio recordings
- Sculpture, ceramics
- Designs for fashion, graphic art, objects, or architecture
- Web sites, video games
- Sketchbooks, scripts, storyboards, screenplays or zines
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Transfer Student Portfolio |
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If you have
less than 12 credit units in studio art, please
submit a portfolio consisting of at least 10 pieces.
You may be required to complete all or some coursework
in the First Year Program.
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Admissions Prerequisites for Graduate Programs
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of Fine Arts
Application to the MFA in studio and writing programs is
open to students who have already earned (or who will soon
complete) a bachelor's degree with a strong concentration
in the area they wish to enter on the graduate level.
•Post-Baccalaureate Certificate
Application to the studio and writing programs is open to
students with a bachelor's degree.
•Master of Arts in Modern Art
History, Theory, and Criticism
Application to the MAAH program is open to students with
a BA, BS, or BFA from an accredited institution. Applicants
must have previously completed 18 credit hours of art history
course work, or be willing to fulfill that requirement in
addition to other required courses.
•Graduate Certificate in Art
History, Theory, and Criticism
Application to this program is open to students with an
MFA or an MA in studio art.
•Master of Arts in Art Education
Application to the MAAE program is open to students with
a BFA or a bachelor's degree in studio art from an accredited
institution.
•Master of Arts in Teaching
Application to the MAT program is open to students with
a BFA or BA, or their equivalent, from an accredited institution
who demonstrates through a preliminary transcript analysis,
that they have met the prerequisite necessary to satisfy
State of Illinois K-12 art education certification, including
possession of United States citizenship or intent to acquire
this citizenship.
•Master of Arts in Art Therapy
Application to the MAAT program is open to students with
a BFA or MFA, or their equivalent, from an accredited institution.
MAAT program prerequisites include one 3-semester-credit-hour
course in each of the following subjects: introductory psychology,
abnormal psychology, introduction to art therapy, developmental
psychology, and a psychology elective (such as personality
theory or psychoanalytic psychology).
•Master of Arts in Arts Administration
Application to the MAAA program is open to students with
a bachelor's degree from an accredited institution, who
have a background in studio art, art history, or art education,
or have work experience in the arts.
•Dual degree in Masterin Arts
in Art History Theory and Criticism and Master of Artsi
n Arts Administration
Please note that students must
fulfill the application requirements for each program and
be accepted to both before admission can be granted
to the dual degree program. Admission to either of the degree
programs does not guarantee admission to the other.
•MA in Visual and Critical Studies
Application to the MA in Visual and Critical Studies program
is open to students with a BA, BS, or BFA or diploma equivalent
to a four-year U.S. degree from an accredited institution.
•Master of Science in Historic
Preservation
Application to the MSHP program is open to students who
have earned an undergraduate degree. Work experience in
architecture, interior design, or a related field is recommended,
but not required. Students must have one course in: architectural
drafting, art history survey and architectural history to
begin the MSHP program.
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Rhode Island School of Design |
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http://www.risd.edu
•Portfolio Guideline
(학부과정)
- 2or3 Dimensional Work
- 35mm slides나 사이즈8"*10"(순서와 사이즈, 완성날짜, 제목 등 기입)
(대학원 과정)
- 건축부문: free-hand drawings, 2or3-dimensional work
- Digital Media: 20 slides in analog or digital form
- 그래픽디자인: 20~40 slides
- 실내건축: free-hand drawing (관심 있는 대상물)
- 조경건축: 10-20 reproduction work (2년짜리 MLA 등록 시)
- 사진부문: 20 Slides (이름,전화번호 기입한 라벨부착)
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http://www.risd.edu
12~20piece slide (label, name 부착) or disk ( floppy, zip,
jaz ), CD-Rom, Videotape
Life drawing, 2Dwork 복사본, Rough Sketch가 포함된 Sketchbook
■과목별 Home Exam
•DESIGN MARKETING
- 1000 word정도의 디자인을 주제로 한 에세이 (자신의 일상생활에서 멋지게 디자인 되어졌다고
생각하는 물건이나 빌딩, 광고, Software등을 서술하거나 디자이너로써의 사회적 책임감등을 서술
)
- 자신의 현재 학업에 대한 목표와 전문가적인 염원을 250자로 서술
(What do you hope to gain from your academic career?
In what way do you expect it to impact the career choices
you will make in the future?)
•DIRECT ENTRY PHOTO
- 직접적인 관찰을 기본으로 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용.
- 자신의 선택 하에 한가지 주제를 고려한 세가지 사진
•FOUNDATION & IDC
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 직접적인 관찰을 기본으로 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 매일 해야만 하는 6가지 일상생활의 단계( 신발끈 묶기, 대문 열기, 이닦기 등) 콜라주나 그림을
이용해서 표현
•SPECIAL PROGRAM
BA/BFA DEGREE PROGRAM, INTERGRATED DESIGN CURRICULUM 디자인을
주제로 한 1000자정도의 에세이 (자신의 일상생활에서 멋지게 디자인 되어졌다고 생각하는 물건이나 빌딩,
광고, Software등을 서술하거나 디자이너로써의 사회적 책임감등을 서술)
•PRE-ARCHITECTURE STUDIES : No portfolio
or home exam required
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•ARCHITECTURAL
DESIGN
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용 가능)
- 직접적인 관찰을 기본으로 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 도심 속의 공원디자인 (분위기고려)
- 위의 3가지처럼 공원의 구조를 묘사하여 디자인하기
- 비누 곽 디자인하기,
•COMMUNICATION DESIGN
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 직접적인 관찰을 기본으로 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- ticket 디자인하기 (과거나 현재,미래의 event)
- 비누 곽 디자인하기
•FASHION DESIGN
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 직접적인 관찰을 기본으로 자신이 생활하는 실내공간을 대표하는 컬러 콜라쥬를 구상하기 위한 자른 종이사용
- 디자인하고 싶은 여성이나 남성의 Lifestyle을 콜라주로 창조하기 ( 패션잡지와 color,
textures 등을 참고)
- 위의 3가지처럼 한가지 계절을 골라서 5벌의 계절의상을 디자인하기
•FINE ARTS
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 자유주제로 3가지 Drawings
- 위 과제의 한가지 주제를 예술가의 견해로 논증하기
•ILLUSTRATION
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 어떤 상태에서든 중간에서 어떤 물건을 관찰해서 그리기
- 신문이나 잡지의 기사를 illustration하기 (선택한 기사를 복사하여 첨부)
•INTERIOR DESIGN
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 어린이들의 이야기를 선택해서 어린이들의 방을 위한 presentation board만들기 (가구의
종류와 color, materials등을 디자인에 세밀하게 사용)
•PHOTOGRAPHY
- 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 자신의 선택한 주제로 세가지 사진첨부
- 자화상 사진
•PRODUCT DESIGN
- 연필로 그린 자화상 (Background와 Foreground사용, Color Pencil 사용
가능)
- 자신이 생활하는 실내공간을 대표하는 컬러 콜라주를 구상하기 위한 자른 종이사용
- 사용가능한 도구를 이용해서 구상화 그리기
- 자신이 디자인했던 주제의 완성작을 첨부하기
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College for Creative Studies |
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http://www.ccscad.edu
Portfolios (consisting either of the actual works,
digital images or of slides, etc.) may be presented
in person at the Office of Admissions. When actual
works are submitted, it is preferred, but not
required, that works on paper (drawings, photographs,
etc.) be matted or mounted. All work done in charcoal
or pastel must be sprayed with fixative and all
paintings must be dry. See next paragraph for
instructions on submitting work on slides or other
media.
Portfolios may also be submitted by mail. Paintings,
drawings, photographs and 3D works should be reproduced
as high-quality photographs or slides or scanned
onto a Zip disk or CD. Slides and photographs
should be labeled with the artist’s name, media,
dimensions, year completed and an arrow indicating
the top of the image. Information should be written
directly on the slides. Labels or stickers should
not be used. Slides should be enclosed in protective
clear plastic sheets. Time-based or digital works
should be submitted on a Zip disk, CD (in JPG
format) or on videotape. Please label disks, CDs
and videotapes: artist’s name, the format (Mac
or PC) and the software applications used.
All work must be submitted in a portfolio case
or other protective covering. Work in frames or
behind glass will not be accepted.
Any work submitted may be published in future
CCS brochures or presentations. CCS reserves the
right to print submitted works.
Digital files or slide portfolios will be returned
by mail. Students should make arrangements to
pick up personally delivered work/s as soon as
possible after a final decision on admission is
made. CCS cannot be responsible for lost or damaged
work and/or portfolios that have not been picked
up within 21 days after review.
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